> [Korean show] Cha-Cha-Cha has remained a Top 10 non-English | on product

> [Korean show] Cha-Cha-Cha has remained a Top 10 non-English TV series globally for 12 weeks. (...) Hellbound, a dark thriller from the director of Train to Busan, dethroned Squid Game as the most-watched title globally. (...) In Q2 alone, APAC accounted for roughly two-thirds of Netflix’s total new subscribers. (...) If that content also travels globally, all the better.

> Internationally, Paw Patrol helps make Netflix a necessity for parents—much like CoComelon has done in America. (...) No wonder Disney C.E.O. Bob Chapek recently mentioned pre-school series as a priority. There’s a new children’s show on the Netflix global chart nearly every week, and kids content trends on individual country Top 10s for much longer periods.

> Netflix’s TV Top 10 lists are dominated by originals. (...) But its film lists contain quite a few licensed titles. That’s not surprising; many of the licensed movies benefited from theatrical runs and major marketing campaigns. What does surprise me about the film lists, however, is the enduring power of movie stars. (...) Ryan Reynolds’ 6 Underground crept back into the global top 10 this week thanks to Red Notice. Johnson’s Central Intelligence and Jumanji: The Next Level also charted.

> Arcane is skyrocketing three weeks after premiering, while Locke & Key is quickly diminishing. (...) Locke & Key might keep subscribers entertained for a week or two, but they’ll move onto something else — and that could be off Netflix. Arcane, which is continuing to build an audience and buzz, becomes a reason to open Netflix once a week and not cancel.

https://puck.news/i-dug-into-the-new-netflix-ratings-data-so-you-dont-have-to/